葛西 周
KASAI, Amane
Profile
Date of birth: 25 October 1982
■ EDUCATION
2007-2010: Ph.D. in Musicology (Major: Musicology)
Tokyo University of the Arts (Graduation Date: March 2010)
2005-2007: MA in Music (Major: Musicology)
Tokyo University of the Arts (Graduation Date: March 2007)
2001-2005: BA in Music (Major: Musicology)
Toho Gakuen School of Music, Tokyo (Graduation Date: March 2005)
■ EMPLOYMENT
2007.4-2008.3: Teaching Assistant of Tokyo University of the Arts
2010.4-Present: Research Associate of Tokyo University of the Arts
Works
■ RESEARCH PAPERS
(1) Singing "Touching Tales": Image Strategy in Modern Japan.
Theatre and Film Studies, 2011.3 (scheduled for publication)
(2) Displayed Musical Instruments in Modern Japan: Focusing on the Expositions
during the Meiji Era. Bulletin of the Faculty of Music, Tokyo University
of the Arts, 2011.3 (scheduled for publication)
(3) Representation of “Music” at Festivals in Modern Japan. PhD thesis,
Tokyo University of the Arts, 2010.3 (unpublished)
(4) Japanese Colonialism in Dances in Modern Expositions: Focusing on Okinawan
and Taiwanese Dances. Journal of Society for Research in Asiatic Music,
2008.8
(5) Representing “Japanese Music” for European World Expos in the late 19th century: Focusing on the Exposition in Paris, Vienna and Chicago. Anthology of International Council for Music of China and Japan, 2007.9 (unpublished)
■ PRESENTATION AT ACADEMIC CONFERENCES
(1) Representation of “Music” at Festivals in Modern Japan. Society for
Research in Asiatic Music, 2010.7
(2) Music tells Tales of/for Nationals: Process of the formation of national
images in Modern Japan. Society for Cultural History of Western Music,
2010. 6
(3) Dancing with the War: Disciplinary Power via Exercise Music in Early
Modern Japan. ACS Crossroads Conference, 2010.6 (in English)
(4) What is the “Right” Music?: Analyzing Magazine Articles during WWII. Annual All-Japan Conference of Musicological Society of Japan, 2008.10
(5) Dances in Taiwan Exposition 1910: Japanese Colonialism in “Autochthonous
Dances” and “New Nagauta.” Annual All-Japan Conference of Society for Research
in Asiatic Music, 2007.11
(6) Representing “Japanese Music” for European World Expos in the late
19th century: Focusing on the Exposition in Paris, Vienna and Chicago.
International Council for Music of China and Japan, 2007.9
(7) The Expositions and Music in Meiji Era: Reconsidering History of Modern Music in Japan. Musicological Society of Japan (Nippon Ongaku Gakkai), 2007.7
(8) The Expositions and Music in Meiji Era: Reconsidering History of Modern
Music in Japan. (different in content from the one above) Society for Research
in Asiatic Music, 2007.3
(9) Exploring “Origin” of Gagaku: Tradition and Transition in Ceremonies
in Osaka and Nara. Society for Research in Asiatic Music (Toyo Ongaku Gakkai),
2005.4
